Higgins's Galatea is finally given life at the end of George Bernard Shaw's play "Pygmalion." After a series of transformative events, particularly Eliza Doolittle's growth and self-discovery, she asserts her independence and confronts Professor Higgins. The play concludes ambiguously, suggesting that while Eliza has gained agency, her future relationship with Higgins remains uncertain. This moment symbolizes her emergence as a fully realized individual rather than a mere creation of Higgins.
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