Slave masters often prohibited enslaved Africans from playing traditional music because they viewed it as a means of cultural expression that could foster community cohesion and resistance. Music was a powerful tool for communication and solidarity among slaves, potentially organizing them against their oppressors. By suppressing traditional African music, slave masters aimed to weaken the slaves' cultural identity and maintain control over them. This strategy was part of a broader effort to dehumanize enslaved people and enforce their subjugation.
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