Jean-Auguste-Dominique Ingres's work in the 19th century exemplifies the ongoing interest in neoclassicism through his emphasis on idealized forms, clarity of line, and adherence to classical themes and subjects. His paintings, such as "La Grande Odalisque" and "The Turkish Bath," reflect a commitment to the principles of harmony, proportion, and beauty derived from ancient art. Ingres's meticulous technique and his incorporation of mythological and historical narratives showcase the neoclassical values of intellectual rigor and aesthetic purity, highlighting the enduring influence of classical antiquity in his artistic vision.
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