In the 6th edition of "History of Modern Art" by Henry H. Arnason, Auguste Rodin is discussed as a pivotal figure in sculpture, often regarded as the last great sculptor of the 19th century due to his innovative approach that broke away from traditional forms. Rodin's working methods involved modeling directly in clay, allowing for a more expressive and dynamic representation of the human form. His favorite motifs included themes of love, mortality, and the human condition, often depicted through dramatic poses and intricate details in works like "The Kiss" and "The Thinker."
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