Renaissance artists like Masaccio differed from their medieval predecessors in their emphasis on realism, perspective, and the human form. While medieval art often focused on religious themes with flat, two-dimensional figures and a lack of depth, Masaccio introduced techniques such as linear perspective and chiaroscuro, creating a sense of three-dimensionality and naturalism. This shift reflected a renewed interest in the human experience and the natural world, marking a departure from the stylized and symbolic representations of the Middle Ages.
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