Artists and theorists such as Susan Sontag, John Szarkowski, and contemporary figures like Trevor Paglen are characterized as being concerned with disrupting notions of photographic truth. They challenge the idea that photographs can serve as objective representations of reality, exploring how context, manipulation, and technology influence perception. Their work often interrogates the ethical implications of Photography in relation to memory, media, and representation, raising questions about authenticity in an increasingly digital age.
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