Botticelli's "Primavera" embodies Neoplatonist ideas through its depiction of mythological figures that symbolize various virtues and the pursuit of beauty as a path to spiritual enlightenment. The painting juxtaposes the physical and the divine, illustrating the Neoplatonist belief that earthly beauty can lead to a higher understanding of truth and love. The figures, such as Venus and the Three Graces, represent the harmony between the sensual and the spiritual, reflecting the Neoplatonic ideal of ascending from the material world to the divine. This interplay of beauty and virtue underscores the connection between art, philosophy, and the divine in Botticelli's work.
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